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Diana Bloomfield has been an exhibiting photographer for over thirty years. She has received numerous awards for her images, including a 1985 New Jersey State Visual Arts Fellowship, and five Regional Artist Grants from the United Arts Council of Raleigh, NC, most recently for 2015-16. She was a Critical Mass Finalist in 2014.

Specializing in 19th century printing techniques, Diana's images have been included in a number of books, including Pinhole Photography: Rediscovering a Historic Technique (3rd Edition), by Eric Renner; Robert Hirsch's Exploring Color Photography Fifth Edition: From Film to Pixels (2011); Christina Z. Anderson's Gum Printing and Other Amazing Contact Printing Processes (2013); Jill Enfield's Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques (2013); and, most recently, in Christopher James' The Book of Alternative Photographic Processes (3rd Edition, March 2015).

Her work has also been included in the Pinhole Journal; The World Journal of Post- Factory Photography; Chinese Photography; The Sun; Diffusion; The HAND Magazine; North Carolina Literary Review; Shadow & Light; and SxSE (South x Southeast). Diana is also a contributing writer for Don't Take Pictures.

Diana also works as an independent curator and has organized and curated several pinhole and alternative process exhibitions, including “Pure Light: Southern Pinhole Photography,” shown at the Southeastern Center for Contemporary Art (SECCA), in Winston-Salem, NC in 2004. And the exhibit,“Old is New Again: Alternative Processes,” which was originally shown at the Green Hill Center for NC Art, in Greensboro, NC, was invited for exhibition at the 2004 Pingyao International Photography Festival, in Pingyao, China. She was also an invited artist to the first Qinghai International Photography Festival, in Xining, China, where she exhibited in the summer of 2006.

Her work is in a number of public and private collections, including the New Mexico History Museum, in Santa Fe, NM, and the Gregg Museum of North Carolina State University, in Raleigh, NC.

A native North Carolinian, Diana currently lives and works in Raleigh, North Carolina, where she received her MA in English Literature and Creative Writing from North Carolina State University. Her work is represented by Tilt Gallery, located in Scottsdale, Arizona.

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Figurative Landscape